a north country view

oil paintings and prints of the backcountry, roy stever


Appalachian Mountain Club | Highland Center NH

August 2 - November 1

Landscape artist, Roy Stever, captures the bold, sometimes unforgiving, reality of time spent in the backcountry of New Hampshire and Maine.  His studio, Art from the Headwaters, is dedicated to preserving those moments of both joy and trepidation - from the valley floor, across frigid cascades, along exposed ridges, and on to the summits. He has climbed to the top of all 4000’ peaks in New England, many times for a fourth or fifth look.  His paintings are based solely on the experience of “being there”, his own photos and sketches, and his memory.

Roy works in oils with a distinctive palette-knife mark, mixing strong color, pushing tonal variation, all enhanced by impasto relief.  Attention to color shapes for compositional structure, a sense of light, and the search for mood distinguishes his paintings as following in an impressionist style.  Roy paints at his home in Easton, NH and frequents Monhegan Island, Acadia National Park and the rocky coast of Maine for plein air excursions with a small group of intrepid artists.

Roy joined the Appalachian Mountain Club (AMC) in the 1960’s, with a recommendation from noted adventurer Chris Goetze, both having grown up in Randolph NH.  Before becoming artist, he pursued a career in industry and innovation, later engaging Plymouth State University students in experiential business learning, and he has only recently turned to oil painting.  As an undergraduate at Cornell University, in 1971, Roy conducted an independent study of backcountry overuse in the White Mountains with AMC’s help.  In the late 1970’s, Roy received an urgent request from Brad Washburn, long-time Director of the Boston museum of Science, to run a laser reflector up the Valley Way to the top of Mt. Madison early the next morning.  This was to support a collaboration between the Museum and AMC to produce a high quality map of the Presidential Range.  Roy’s job was to place the receiver for a laser shot from the summit of Mt. Washington to determine distance and, ultimately, elevation.  More recently, in 2013-2015, Roy connected the Easton (NH) Conservation Commission with AMC in mitigating potential impacts of a proposed power transmission project.  

Roy and his wife Debbie have both experienced a lifetime of wonders within AMC’s trail and hut system.  Now in their 70’s, the two have enjoyed visits to Little Lyford with their canine family, as well as Gorman Chairback.  From his grandparents to his six grandchildren, Roy’s family has enjoyed five generations of AMC.  His daughter Natalie, like many others, had a great early-career experience working for the Club.

In collaboration with Kennedy Gallery and Custom Framing in Portsmouth, NH, Roy is thrilled to share his art with AMC, its members, and friends throughout the North Country!

New England Cancer Specialists Dana-Farber Cancer Institute

Rock Row, Westbrook ME 2024-Ongoing

I hope the painting conveys a sense of hopeful transition. Roy Stever

https://www.turningart.com/art/stonington-me-by-roy-stever

In a Moment

Roy Stever

 Kennedy Gallery and Custom Framing | Portsmouth, NH

In a Moment, everything changed. The afternoon light was taken by dusk, the lively ocean became listless, and even the hue of granite dulled before your eyes. All was lost, and after you ventured so far you sense it will never be so good again. Tomorrow, though, brings the opportunity to paint what still matters most, no matter how challenging. What better place to start than with all you knew just yesterday."

Roy Stever

May 2025


Please join us for an Opening Reception on Friday, May 2 from 5 to 8 pm, or stop in during the month of May to enjoy a show of Roy Stever's original oil paintings.

The paintings will be on exhibit May 2 - May 31, 2025.

ENJOY!

   

Kennedy Gallery - May 2024

Finding Warmth in Cool Places

Show opening on May 3, 2024

5 - 8p.m.

Kennedy Gallery and Custom Framing

Portsmouth NH

Kennedy Gallery’s May show, Finding Warmth in Cool Places, is comprised of my latest oil paintings from the fall and winter, 2023-2024.  Studio pieces, they are both inspired and informed by one plein air painting - Blackhead from above Squeaker Cove (2023).  It was my first plein air on Monhegan Island, a capture of a foggy September day looking northeast to Blackhead, on the Headlands.  The piece was subsequently purchased by Marianne Kearney, granddaughter of great American painter George Wesley Bellows (1882-1925).  Our truly unexpected and wonderful  meeting on Monhegan came as she and her cousin, Laurie Booth - also a granddaughter of Bellows - were on the island as frequent visitors, and to celebrate the acquisition of Bellows’ Portrait of Jackie Hudson (1914) by The Monhegan Museum of Art & History.  After hearing interesting tales of their grandfather and family, I delved into Bellows’ inspiring Monhegan works, including Breaking Sky (1911)Evening Swell (1911) and Vine Clad Shore (1913). Pleased with the encouragement of Marianne, I used my Monhegan plein air piece as inspiration during the dark and snowy winter in New Hampshire that lay ahead.

The 11 pieces of the Kennedy Gallery attempt to solve a common problem - how to capture the elements beyond the hard, cold reality of a seascape, snow, rocks, a cliff, or a storm above tree line in the mountains of New England.  Why do these imposing settings keep us coming back for more?  Blackhead from above Squeaker Cove was a challenge as the menacing fog bank rolled in and out, changing the light, color, and tone, and thus the elements of underlying warmth.  For each of the works in this show,  I relied heavily on my own old photos, drawings, paintings, memory and imagination to rediscover what was so endearing to me about these amazing, very cool, places.

Kennedy Gallery and Custom Framing | Portsmouth, NH
March 3 - April 2, 2023
Marking Time in the Wild
oil paintings of northern New England by artist Roy Stever

This show takes us to well-known places such as Mt. Washington in New Hampshire and Katahdin in Maine, to lesser known coastal features of Maine - from Petit Manan and  Schoodic Point (Acadia National Park) in the north to Rachel Carson National Wildlife Refuge in the south. Also featured are dramatic scenes of the headlands and coves on Monhegan Island. In New Hampshire, works from the artist’s hometown are painted from a local point of view of the White Mountains and its headwaters. There are pieces from Vermont, as well, including a quirky summit named “The Owl” and, of course, a Green Mountain pond and a Waitsfield cow.